![]() Arri ProRes WorkflowĪrri cameras have the fantastic ability to shoot directly to ProRes. Footage shot in log will usually deliver a much wider dynamic range and give us much more control over an image than what REC709 can provide. Every camera manufacturer has their own type of log color profile, tuned to the hardware in their different cameras. On an Arri camera, choosing Arri’s Log C color space will utilize the full range of Arri’s powerful sensor. Pro-level cameras also capture their footage in log, a flat color profile that retains the full range of the camera’s sensor within each clip. Most of these tips are written for Adobe Premiere Pro, but you’ll find much of the information will transfer to other NLEs if you know how to do the equivalent action.Ĭonsumer digital cameras are generally set up to shoot in a standard color profile called REC709. I want to share with you some Alexa and Arri workflow tips I’ve acquired over the years working on commercials, features and TV shows. Arri’s ProRes and ArriRaw workflows in post are fast and straightforward, and that’s why I love the Alexa. All high-end cameras these days make an incredible image, but I really appreciate anything that makes my workflow faster and more efficient. But of all the cameras and codecs that we see on a daily basis, Arri footage is loved in post-production just as much as it is on set. On the post side, we usually don’t have any control over what camera package is chosen for a project, or how that footage makes its way to us. Arri’s ability to produce such a high-end image, in terms of color latitude and dynamic range have secured Alexa’s dominance as the workhorse for Hollywood’s elite cinematographers for digital filmmaking. There will also be a Windows version of Canister available very soon.It’s no secret that Arri cameras have become the standard of high-end productions across the film and television industry. You can also get a MagStor unit through Hedge where you will receive a $500 USD Hedge Fund credit on top of that. All new MagStor purchases now come with a Canister license included. More and more people are starting to use MagStor for their LTO needs, so Hedge has teamed up with MagStor to bring you full driver detection and support for their devices. If you don’t specify an output colorspace or apply a LUT EditReady will continue to read the RAW file’s metadata and apply any embedded LUTs and color transforms specified on-set. ![]() For example, if you choose ARRI LogC/Wide Gamut as your output format and then select the ARRI LUT, you will get the correct result.ĮditReady will convert any RAW footage from ARRI, Sony, RED, or Blackmagic, into your chosen colorspace before applying the LUT. The way to avoid this is to let EditReady convert the original LUT-free video and apply the appropriate LUT after the conversion. When the video is converted, any previously-applied LUT won’t be correct. You don’t need to find the correct output LUTs for each camera make and model, because EditReady will automatically do that for you.Ī LUT will only be valid as long as the video remains in the same color space. EditReady converts any RAW format into these video standards automatically, without you having to worry about camera gamma or gamut settings. The new color conversions options (available through the color conversion panel) let you quickly choose between Rec709 (SDR) and PQ or HLG (HDR). The new Color Conversion panel lets you pick a destination colorspace and LUT, and then EditReady does the conversion for you. X-OCN saves between 30% and 60% compared to the original RAW media.ĮditReady also receives new Color Awareness technology that allows you to shoot in all flavors of RAW without having any headaches in post. ![]() EditReady can now take both the original Sony RAW and the much newer X-OCN codecs and converts them into more manageable files. Sony’s X-OCN codec is a compressed RAW format. ![]() EditReady- Color AwarenessĮditReady now offers full Sony support and it will work with both Sony RAW and X-OCN files. You can also generate sidecars containing all your custom elements, which will be processed automatically by iconik’s Storage Gateway app. In Hedge, you can now automatically add metadata to all your iconik assets. Hedge now integrates with iconik, and EditReady features a new color pipeline as well as Sony RAW and X-OCN support. New versions of Hedge and EditReady have been released.
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